Text, Context and Intertext in «Paisaje de la multitud que vomita (Anochecer de Coney Island)», by Federico García Lorca
Ausführliche Beschreibung
Ausführliche BeschreibungInterne ID (PPN): |
DOAJ000971316 |
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Personen: |
José Antonio LLERA RUIZ [VerfasserIn] |
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Medienart: |
E-Artikel |
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Sprache: |
Katalanisch ; Englisch ; Spanisch ; Französisch ; Portugiesisch |
Erschienen: |
2011 |
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weitere Schlagwörter: |
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Übergeordnetes Werk: |
In: 1616 - Universidad de Salamanca, 1(2011), 0, Seite 185-219 |
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Links: |
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Staff view
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font-family: ";Arial";,";sans-serif";; mso-fareast-font-family: Garamond;" lang="EN-US"<</span<</p< federico garcía lorca poeta en nueva york intertextualidad grotesco simbolismo Literature (General) French literature - Italian literature - Spanish literature - Portuguese literature In 1616 Universidad de Salamanca, 2020 1(2011), 0, Seite 185-219 (DE-627)1760611336 24452262 nnns volume:1 year:2011 number:0 pages:185-219 https://doaj.org/article/6d1386fd398545c588e1e22eebc8e07e kostenfrei https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/8345 kostenfrei https://doaj.org/toc/0210-7287 Journal toc kostenfrei https://doaj.org/toc/2445-2262 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 1 2011 0 185-219 |
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(DE-627)DOAJ000971316 (DE-599)DOAJ6d1386fd398545c588e1e22eebc8e07e DE-627 ger DE-627 rakwb cat eng spa fre por PN1-6790 PQ1-3999 José Antonio LLERA RUIZ verfasserin aut Text, Context and Intertext in «Paisaje de la multitud que vomita (Anochecer de Coney Island)», by Federico García Lorca 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier <p class="MsoNormal" style="margin-top: 1.9pt; margin-right: 2.95pt; margin-bottom: .0001pt; margin-left: 0cm; text-align: justify; line-height: 10.5pt; mso-line-height-rule: exactly;"<<span style="font-size: 8.0pt; font-family: ";Arial";,";sans-serif";; mso-fareast-font-family: Garamond; color: #231f20;" lang="EN-US"<This<span style="letter-spacing: 1.5pt;"< </span<paper <span<proposes<span style="letter-spacing: .6pt;"< </span<</span<a<span style="letter-spacing: 1.55pt;"< </span<close <span<reading<span style="letter-spacing: .55pt;"< </span<</span<of<span style="letter-spacing: 1.1pt;"< </span<«Paisaje de<span style="letter-spacing: 2.15pt;"< </span<la<span style="letter-spacing: 1.8pt;"< </span<<span<multitud </span<que<span style="letter-spacing: 2.35pt;"< </span<vomita <span<(Anochecer<span style="letter-spacing: .15pt;"< </span<</span<de<span style="letter-spacing: 1.65pt;"< </span<Coney Island)»,<span style="letter-spacing: 2.2pt;"< </span<one<span style="letter-spacing: 2.0pt;"< </span<of<span style="letter-spacing: .6pt;"< </span<the<span style="letter-spacing: 1.4pt;"< </span<poems in<span style="letter-spacing: 1.05pt;"< </span<the<span style="letter-spacing: 1.4pt;"< </span<third<span style="letter-spacing: 1.6pt;"< </span<<span<section </span<of<span style="letter-spacing: .95pt;"< </span<<em<<span<Poeta<span style="letter-spacing: .15pt;"< </span<en<span style="letter-spacing: 1.0pt;"< </span<Nueva<span style="letter-spacing: -1.45pt;"< </span<</span<York</em<, by<span style="letter-spacing: 1.95pt;"< </span<<span<f</span<<span<ederico</span<<span style="letter-spacing: .65pt;"< </span<García<span style="letter-spacing: 2.35pt;"< </span<Lorca.<span style="letter-spacing: 1.65pt;"< </span<<span<especially<span style="letter-spacing: .35pt;"< </span<</span<those <span<aspects<span style="letter-spacing: 1.25pt;"< </span<that </span<had<span style="letter-spacing: 1.95pt;"< </span<been <span<neglected<span style="letter-spacing: .05pt;"< </span<</span<in<span style="letter-spacing: 1.1pt;"< </span<<span<previous<span style="letter-spacing: .15pt;"< </span<readings<span style="letter-spacing: .45pt;"< </span<</span<are<span style="letter-spacing: 1.9pt;"< </span<taken into<span style="letter-spacing: 1.35pt;"< </span<<span<account:<span style="letter-spacing: .1pt;"< </span<</span<both<span style="letter-spacing: 1.55pt;"< </span<its<span style="letter-spacing: .85pt;"< </span<<span<histor<span style="letter-spacing: .05pt;"<i</span<</span<cal<span style="letter-spacing: 1.45pt;"< </span<context and<span style="letter-spacing: 1.65pt;"< </span<thematic and<span style="letter-spacing: 1.65pt;"< </span<<span<intertextual<span style="letter-spacing: -.2pt;"< </span<</span<codes <span<related<span style="letter-spacing: -.25pt;"< </span<</span<to<span style="letter-spacing: .35pt;"< </span<the<span style="letter-spacing: 1.1pt;"< </span<<span<grotesque<span style="letter-spacing: -.25pt;"< </span<</span<image <span<of </span<body, some of<span style="letter-spacing: .9pt;"< </span<<span<Hieronymous<span style="letter-spacing: .45pt;"< </span<</span<Bosch’s <span<paintings<span style="letter-spacing: .4pt;"< </span<</span<and<span style="letter-spacing: 2.25pt;"< </span<the<span style="letter-spacing: 1.7pt;"< </span<<span<symbolism<span style="letter-spacing: .45pt;"< </span<</span<of<span style="letter-spacing: .9pt;"< </span<<span<vomiting.</span<</span<<span style="font-size: 8.0pt; 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Text, Context and Intertext in «Paisaje de la multitud que vomita (Anochecer de Coney Island)», by Federico García Lorca |
abstract |
<p class="MsoNormal" style="margin-top: 1.9pt; margin-right: 2.95pt; margin-bottom: .0001pt; margin-left: 0cm; text-align: justify; line-height: 10.5pt; mso-line-height-rule: exactly;"<<span style="font-size: 8.0pt; font-family: ";Arial";,";sans-serif";; mso-fareast-font-family: Garamond; color: #231f20;" lang="EN-US"<This<span style="letter-spacing: 1.5pt;"< </span<paper <span<proposes<span style="letter-spacing: .6pt;"< </span<</span<a<span style="letter-spacing: 1.55pt;"< </span<close <span<reading<span style="letter-spacing: .55pt;"< </span<</span<of<span style="letter-spacing: 1.1pt;"< </span<«Paisaje de<span style="letter-spacing: 2.15pt;"< </span<la<span style="letter-spacing: 1.8pt;"< </span<<span<multitud </span<que<span style="letter-spacing: 2.35pt;"< </span<vomita <span<(Anochecer<span style="letter-spacing: .15pt;"< </span<</span<de<span style="letter-spacing: 1.65pt;"< </span<Coney Island)»,<span style="letter-spacing: 2.2pt;"< </span<one<span style="letter-spacing: 2.0pt;"< </span<of<span style="letter-spacing: .6pt;"< </span<the<span style="letter-spacing: 1.4pt;"< </span<poems in<span style="letter-spacing: 1.05pt;"< </span<the<span style="letter-spacing: 1.4pt;"< </span<third<span style="letter-spacing: 1.6pt;"< </span<<span<section </span<of<span style="letter-spacing: .95pt;"< </span<<em<<span<Poeta<span style="letter-spacing: .15pt;"< </span<en<span style="letter-spacing: 1.0pt;"< </span<Nueva<span style="letter-spacing: -1.45pt;"< </span<</span<York</em<, by<span style="letter-spacing: 1.95pt;"< </span<<span<f</span<<span<ederico</span<<span style="letter-spacing: .65pt;"< </span<García<span style="letter-spacing: 2.35pt;"< </span<Lorca.<span style="letter-spacing: 1.65pt;"< </span<<span<especially<span style="letter-spacing: .35pt;"< </span<</span<those <span<aspects<span style="letter-spacing: 1.25pt;"< </span<that </span<had<span style="letter-spacing: 1.95pt;"< </span<been <span<neglected<span style="letter-spacing: .05pt;"< </span<</span<in<span style="letter-spacing: 1.1pt;"< </span<<span<previous<span style="letter-spacing: .15pt;"< </span<readings<span style="letter-spacing: .45pt;"< </span<</span<are<span style="letter-spacing: 1.9pt;"< </span<taken into<span style="letter-spacing: 1.35pt;"< </span<<span<account:<span style="letter-spacing: .1pt;"< </span<</span<both<span style="letter-spacing: 1.55pt;"< </span<its<span style="letter-spacing: .85pt;"< </span<<span<histor<span style="letter-spacing: .05pt;"<i</span<</span<cal<span style="letter-spacing: 1.45pt;"< </span<context and<span style="letter-spacing: 1.65pt;"< </span<thematic and<span style="letter-spacing: 1.65pt;"< </span<<span<intertextual<span style="letter-spacing: -.2pt;"< </span<</span<codes <span<related<span style="letter-spacing: -.25pt;"< </span<</span<to<span style="letter-spacing: .35pt;"< </span<the<span style="letter-spacing: 1.1pt;"< </span<<span<grotesque<span style="letter-spacing: -.25pt;"< </span<</span<image <span<of </span<body, some of<span style="letter-spacing: .9pt;"< </span<<span<Hieronymous<span style="letter-spacing: .45pt;"< </span<</span<Bosch’s <span<paintings<span style="letter-spacing: .4pt;"< </span<</span<and<span style="letter-spacing: 2.25pt;"< </span<the<span style="letter-spacing: 1.7pt;"< </span<<span<symbolism<span style="letter-spacing: .45pt;"< </span<</span<of<span style="letter-spacing: .9pt;"< </span<<span<vomiting.</span<</span<<span style="font-size: 8.0pt; font-family: ";Arial";,";sans-serif";; mso-fareast-font-family: Garamond;" lang="EN-US"<</span<</p< |
abstractGer |
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Text, Context and Intertext in «Paisaje de la multitud que vomita (Anochecer de Coney Island)», by Federico García Lorca |
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