Music on the move / Danielle Fosler-Lussier
Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora...
Ausführliche Beschreibung
| Interne ID (PPN): |
1741851114 |
|---|
| Personen: |
Fosler-Lussier, Danielle - 1969- [VerfasserIn] |
|---|
| Medienart: |
E-Book |
|---|---|
| Physische Beschreibung: |
1 Online-Ressource (ix, 308 pages) ; illustrations (some color), maps |
| Sprache: |
Englisch |
| Erschienen: |
Ann Arbor: University of Michigan Press ; 2020 |
|---|
| weitere Schlagwörter: |
|---|
| Allgemeiner Hinweis: |
Includes bibliographical references and index |
|---|
| Weitere Ausgabe: |
Erscheint auch als Druck-Ausgabe: Fosler-Lussier, Danielle, 1969- ; Ann Arbor : University of Michigan Press, 2020 ; Music on the move |
|---|
| ISBN: | |
|---|---|
| falsche ISBN: |
9780472074501 9780472054503 |
Staff view
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| 245 10 | |a Music on the move |c Danielle Fosler-Lussier |
| 264 1 | |a Ann Arbor |b University of Michigan Press |c 2020 |
| 300 | |a 1 Online-Ressource (ix, 308 pages) |b illustrations (some color), maps |
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| 500 | |a Includes bibliographical references and index |
| 520 | |a Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. |
| 520 | |a "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- |
| 650 0 | |a Music |x Social aspects |
| 650 0 | |a Dissemination of music |
| 650 0 | |a Music and globalization |
| 650 4 | |a Dissemination of music |
| 650 4 | |a Music and globalization |
| 650 4 | |a Music ; Social aspects |
| 650 4 | |a MUSIC / General |
| 776 1 | |z 9780472074501 |
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9780472126781 electronic book 978-0-472-12678-1 0472126784 electronic book 0-472-12678-4 9780472901289 electronic book 978-0-472-90128-9 0472901281 electronic book 0-472-90128-1 9780472074501 9780472054503 (DE-627)1741851114 (DE-599)KEP060339217 (OCoLC)1193011696 (MiAaJST)mpub.9853855 (EBP)060339217 DE-627 eng DE-627 rda eng XD-US ML3916 MUS 000000 bisacsh MUS 024000 bisacsh Fosler-Lussier, Danielle 1969- verfasserin aut Music on the move Danielle Fosler-Lussier Ann Arbor University of Michigan Press 2020 1 Online-Ressource (ix, 308 pages) illustrations (some color), maps Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Music Social aspects Dissemination of music Music and globalization Dissemination of music Music and globalization Music ; Social aspects MUSIC / General 9780472074501 Erscheint auch als Druck-Ausgabe Fosler-Lussier, Danielle, 1969- Music on the move Ann Arbor : University of Michigan Press, 2020 (DLC)2020011847 https://www.jstor.org/stable/10.3998/mpub.9853855 X:JSTOR Verlag kostenfrei ZDB-39-JOA GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_118 ISIL_DE-Kt1 GBV_ILN_120 ISIL_DE-715 GBV_ILN_130 ISIL_DE-700 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_496 ISIL_DE-Y9 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_2007 ISIL_DE-352E GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2059 ISIL_DE-Kon4 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2111 ISIL_DE-944 GBV_ILN_2118 ISIL_DE-Mh35 GBV_ILN_2148 ISIL_DE-950 GBV_ILN_2161 ISIL_DE-D117 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.9 11 01 0001 3826723287 00 5:LIZFREI --%%-- --%%-- --%%-- KERF_JSTOR-OA k 17-12-20 22 01 0018 4011202134 OLR-ZDB-39-JOA JSTOR Open Access EBooks zu 01-12-21 24 01 0008 3826767608 olr-frei z 17-12-20 30 01 0104 382674036X OLR-JOA JSTOR Open Access E-Books z 17-12-20 31 01 0027 3826730739 OLR-JSTOR-OA z 17-12-20 39 01 0547 3826748166 ZDB-39-JOA ke 17-12-20 40 01 0007 4098259605 OLR-JSTOR-OA xsn 23-03-22 60 01 0705 4473795365 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung z 01-02-24 65 01 0003 3826782151 03 --%%-- ebook --%%-- --%%-- OLR-ZDB-39-JOA JSTOR Open Access Book k3o 17-12-20 72 01 0035 3826711432 OLR-ZDB-39-JOA Kostenloser Zugang z 17-12-20 90 01 3090 3826755995 OLR-HILjstor z 17-12-20 95 01 3095 4341477846 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 21-06-23 118 01 3329 3826715187 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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| spelling |
9780472126781 electronic book 978-0-472-12678-1 0472126784 electronic book 0-472-12678-4 9780472901289 electronic book 978-0-472-90128-9 0472901281 electronic book 0-472-90128-1 9780472074501 9780472054503 (DE-627)1741851114 (DE-599)KEP060339217 (OCoLC)1193011696 (MiAaJST)mpub.9853855 (EBP)060339217 DE-627 eng DE-627 rda eng XD-US ML3916 MUS 000000 bisacsh MUS 024000 bisacsh Fosler-Lussier, Danielle 1969- verfasserin aut Music on the move Danielle Fosler-Lussier Ann Arbor University of Michigan Press 2020 1 Online-Ressource (ix, 308 pages) illustrations (some color), maps Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Music Social aspects Dissemination of music Music and globalization Dissemination of music Music and globalization Music ; Social aspects MUSIC / General 9780472074501 Erscheint auch als Druck-Ausgabe Fosler-Lussier, Danielle, 1969- Music on the move Ann Arbor : University of Michigan Press, 2020 (DLC)2020011847 https://www.jstor.org/stable/10.3998/mpub.9853855 X:JSTOR Verlag kostenfrei ZDB-39-JOA GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_118 ISIL_DE-Kt1 GBV_ILN_120 ISIL_DE-715 GBV_ILN_130 ISIL_DE-700 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_496 ISIL_DE-Y9 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_2007 ISIL_DE-352E GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2059 ISIL_DE-Kon4 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2111 ISIL_DE-944 GBV_ILN_2118 ISIL_DE-Mh35 GBV_ILN_2148 ISIL_DE-950 GBV_ILN_2161 ISIL_DE-D117 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.9 11 01 0001 3826723287 00 5:LIZFREI --%%-- --%%-- --%%-- KERF_JSTOR-OA k 17-12-20 22 01 0018 4011202134 OLR-ZDB-39-JOA JSTOR Open Access EBooks zu 01-12-21 24 01 0008 3826767608 olr-frei z 17-12-20 30 01 0104 382674036X OLR-JOA JSTOR Open Access E-Books z 17-12-20 31 01 0027 3826730739 OLR-JSTOR-OA z 17-12-20 39 01 0547 3826748166 ZDB-39-JOA ke 17-12-20 40 01 0007 4098259605 OLR-JSTOR-OA xsn 23-03-22 60 01 0705 4473795365 Vervielfältigungen (z.B. 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| allfields_unstemmed |
9780472126781 electronic book 978-0-472-12678-1 0472126784 electronic book 0-472-12678-4 9780472901289 electronic book 978-0-472-90128-9 0472901281 electronic book 0-472-90128-1 9780472074501 9780472054503 (DE-627)1741851114 (DE-599)KEP060339217 (OCoLC)1193011696 (MiAaJST)mpub.9853855 (EBP)060339217 DE-627 eng DE-627 rda eng XD-US ML3916 MUS 000000 bisacsh MUS 024000 bisacsh Fosler-Lussier, Danielle 1969- verfasserin aut Music on the move Danielle Fosler-Lussier Ann Arbor University of Michigan Press 2020 1 Online-Ressource (ix, 308 pages) illustrations (some color), maps Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Music Social aspects Dissemination of music Music and globalization Dissemination of music Music and globalization Music ; Social aspects MUSIC / General 9780472074501 Erscheint auch als Druck-Ausgabe Fosler-Lussier, Danielle, 1969- Music on the move Ann Arbor : University of Michigan Press, 2020 (DLC)2020011847 https://www.jstor.org/stable/10.3998/mpub.9853855 X:JSTOR Verlag kostenfrei ZDB-39-JOA GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_118 ISIL_DE-Kt1 GBV_ILN_120 ISIL_DE-715 GBV_ILN_130 ISIL_DE-700 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_496 ISIL_DE-Y9 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_2007 ISIL_DE-352E GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2059 ISIL_DE-Kon4 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2111 ISIL_DE-944 GBV_ILN_2118 ISIL_DE-Mh35 GBV_ILN_2148 ISIL_DE-950 GBV_ILN_2161 ISIL_DE-D117 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.9 11 01 0001 3826723287 00 5:LIZFREI --%%-- --%%-- --%%-- KERF_JSTOR-OA k 17-12-20 22 01 0018 4011202134 OLR-ZDB-39-JOA JSTOR Open Access EBooks zu 01-12-21 24 01 0008 3826767608 olr-frei z 17-12-20 30 01 0104 382674036X OLR-JOA JSTOR Open Access E-Books z 17-12-20 31 01 0027 3826730739 OLR-JSTOR-OA z 17-12-20 39 01 0547 3826748166 ZDB-39-JOA ke 17-12-20 40 01 0007 4098259605 OLR-JSTOR-OA xsn 23-03-22 60 01 0705 4473795365 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung z 01-02-24 65 01 0003 3826782151 03 --%%-- ebook --%%-- --%%-- OLR-ZDB-39-JOA JSTOR Open Access Book k3o 17-12-20 72 01 0035 3826711432 OLR-ZDB-39-JOA Kostenloser Zugang z 17-12-20 90 01 3090 3826755995 OLR-HILjstor z 17-12-20 95 01 3095 4341477846 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 21-06-23 118 01 3329 3826715187 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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| allfieldsGer |
9780472126781 electronic book 978-0-472-12678-1 0472126784 electronic book 0-472-12678-4 9780472901289 electronic book 978-0-472-90128-9 0472901281 electronic book 0-472-90128-1 9780472074501 9780472054503 (DE-627)1741851114 (DE-599)KEP060339217 (OCoLC)1193011696 (MiAaJST)mpub.9853855 (EBP)060339217 DE-627 eng DE-627 rda eng XD-US ML3916 MUS 000000 bisacsh MUS 024000 bisacsh Fosler-Lussier, Danielle 1969- verfasserin aut Music on the move Danielle Fosler-Lussier Ann Arbor University of Michigan Press 2020 1 Online-Ressource (ix, 308 pages) illustrations (some color), maps Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Music Social aspects Dissemination of music Music and globalization Dissemination of music Music and globalization Music ; Social aspects MUSIC / General 9780472074501 Erscheint auch als Druck-Ausgabe Fosler-Lussier, Danielle, 1969- Music on the move Ann Arbor : University of Michigan Press, 2020 (DLC)2020011847 https://www.jstor.org/stable/10.3998/mpub.9853855 X:JSTOR Verlag kostenfrei ZDB-39-JOA GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_118 ISIL_DE-Kt1 GBV_ILN_120 ISIL_DE-715 GBV_ILN_130 ISIL_DE-700 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_496 ISIL_DE-Y9 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_2007 ISIL_DE-352E GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2059 ISIL_DE-Kon4 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2111 ISIL_DE-944 GBV_ILN_2118 ISIL_DE-Mh35 GBV_ILN_2148 ISIL_DE-950 GBV_ILN_2161 ISIL_DE-D117 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.9 11 01 0001 3826723287 00 5:LIZFREI --%%-- --%%-- --%%-- KERF_JSTOR-OA k 17-12-20 22 01 0018 4011202134 OLR-ZDB-39-JOA JSTOR Open Access EBooks zu 01-12-21 24 01 0008 3826767608 olr-frei z 17-12-20 30 01 0104 382674036X OLR-JOA JSTOR Open Access E-Books z 17-12-20 31 01 0027 3826730739 OLR-JSTOR-OA z 17-12-20 39 01 0547 3826748166 ZDB-39-JOA ke 17-12-20 40 01 0007 4098259605 OLR-JSTOR-OA xsn 23-03-22 60 01 0705 4473795365 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung z 01-02-24 65 01 0003 3826782151 03 --%%-- ebook --%%-- --%%-- OLR-ZDB-39-JOA JSTOR Open Access Book k3o 17-12-20 72 01 0035 3826711432 OLR-ZDB-39-JOA Kostenloser Zugang z 17-12-20 90 01 3090 3826755995 OLR-HILjstor z 17-12-20 95 01 3095 4341477846 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 21-06-23 118 01 3329 3826715187 OLR-JOA Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 17-12-20 496 01 3496 4323300077 00 --%%-- Online --%%-- --%%-- OLR-EBC Open Access z 17-05-23 635 01 3635 4509432801 OLR-JOA Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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9780472126781 electronic book 978-0-472-12678-1 0472126784 electronic book 0-472-12678-4 9780472901289 electronic book 978-0-472-90128-9 0472901281 electronic book 0-472-90128-1 9780472074501 9780472054503 (DE-627)1741851114 (DE-599)KEP060339217 (OCoLC)1193011696 (MiAaJST)mpub.9853855 (EBP)060339217 DE-627 eng DE-627 rda eng XD-US ML3916 MUS 000000 bisacsh MUS 024000 bisacsh Fosler-Lussier, Danielle 1969- verfasserin aut Music on the move Danielle Fosler-Lussier Ann Arbor University of Michigan Press 2020 1 Online-Ressource (ix, 308 pages) illustrations (some color), maps Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Music Social aspects Dissemination of music Music and globalization Dissemination of music Music and globalization Music ; Social aspects MUSIC / General 9780472074501 Erscheint auch als Druck-Ausgabe Fosler-Lussier, Danielle, 1969- Music on the move Ann Arbor : University of Michigan Press, 2020 (DLC)2020011847 https://www.jstor.org/stable/10.3998/mpub.9853855 X:JSTOR Verlag kostenfrei ZDB-39-JOA GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_118 ISIL_DE-Kt1 GBV_ILN_120 ISIL_DE-715 GBV_ILN_130 ISIL_DE-700 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_496 ISIL_DE-Y9 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_2007 ISIL_DE-352E GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2059 ISIL_DE-Kon4 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2111 ISIL_DE-944 GBV_ILN_2118 ISIL_DE-Mh35 GBV_ILN_2148 ISIL_DE-950 GBV_ILN_2161 ISIL_DE-D117 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.9 11 01 0001 3826723287 00 5:LIZFREI --%%-- --%%-- --%%-- KERF_JSTOR-OA k 17-12-20 22 01 0018 4011202134 OLR-ZDB-39-JOA JSTOR Open Access EBooks zu 01-12-21 24 01 0008 3826767608 olr-frei z 17-12-20 30 01 0104 382674036X OLR-JOA JSTOR Open Access E-Books z 17-12-20 31 01 0027 3826730739 OLR-JSTOR-OA z 17-12-20 39 01 0547 3826748166 ZDB-39-JOA ke 17-12-20 40 01 0007 4098259605 OLR-JSTOR-OA xsn 23-03-22 60 01 0705 4473795365 Vervielfältigungen (z.B. 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Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"--</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Dissemination of music</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and globalization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dissemination of music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and globalization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music ; Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">MUSIC / General</subfield></datafield><datafield tag="776" ind1="1" ind2=" "><subfield 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Kein systematisches Downloaden durch Robots.</subfield><subfield code="k">Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung</subfield><subfield code="y">z</subfield><subfield code="z">01-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">3826782151</subfield><subfield code="c">03</subfield><subfield code="f">--%%--</subfield><subfield code="d">ebook</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="h">OLR-ZDB-39-JOA</subfield><subfield code="k">JSTOR Open Access Book</subfield><subfield code="y">k3o</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">3826711432</subfield><subfield code="h">OLR-ZDB-39-JOA</subfield><subfield code="k">Kostenloser Zugang</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">3826755995</subfield><subfield code="h">OLR-HILjstor</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">4341477846</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">Vervielfältigungen (z.B. 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| standort_str_mv |
5:LIZFREI --%%-- |
| callnumber-first |
M - Music |
| standort_iln_str_mv |
11:5:LIZFREI 0001:5:LIZFREI 65:--%%-- 0003:--%%-- 120:--%%-- 0715:--%%-- 496:--%%-- 3496:--%%-- 2007:--%%-- DE-352E:--%%-- 2009:--%%-- DE-180:--%%-- 2011:--%%-- DE-16:--%%-- 2018:--%%-- DE-31:--%%-- 2034:--%%-- DE-Rt2:--%%-- 2057:--%%-- DE-L189:--%%-- 2059:--%%-- DE-Kon4:--%%-- 2089:--%%-- DE-540:--%%-- 2111:--%%-- DE-944:--%%-- 2118:--%%-- DE-Mh35:--%%-- 2148:--%%-- DE-950:--%%-- 2161:--%%-- DE-D117:--%%-- 2206:--%%-- DE-1141:--%%-- 2403:--%%-- DE-LFER:--%%-- |
| author |
Fosler-Lussier, Danielle 1969- |
| spellingShingle |
Fosler-Lussier, Danielle 1969- misc ML3916 misc Music misc Dissemination of music misc Music and globalization misc Music ; Social aspects misc MUSIC / General 31 eBook JSTOR Music on the move |
| authorStr |
Fosler-Lussier, Danielle 1969- |
| format |
eBook |
| delete_txt_mv |
keep |
| author_role |
aut |
| collection |
KXP GVK SWB |
| publishPlace |
Ann Arbor |
| remote_str |
true |
| abrufzeichen_iln_str_mv |
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| abrufzeichen_iln_scis_mv |
11@KERF_JSTOR-OA 22@OLR-ZDB-39-JOA 24@olr-frei 24@OLR-JOA 30@OLR-JOA 31@OLR-JSTOR-OA 39@ZDB-39-JOA 39@LF 40@OLR-JSTOR-OA 65@OLR-ZDB-39-JOA 72@OLR-ZDB-39-JOA 90@OLR-HILjstor 95@OLR-JOA 118@OLR-JOA 120@alma 130@OLR-JOA 147@OLR-JOA 496@OLR-EBC 635@OLR-JOA |
| callnumber-label |
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Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Includes bibliographical references and index |
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Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Includes bibliographical references and index |
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Migration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. "Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Includes bibliographical references and index |
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code="a">ISIL_DE-180</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2011</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-16</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2018</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2034</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Rt2</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2057</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-L189</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2059</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Kon4</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2089</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-540</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2111</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-944</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2118</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Mh35</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2148</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-950</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-D117</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2206</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-1141</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2403</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-LFER</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">780.9</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">11</subfield><subfield code="1">01</subfield><subfield code="x">0001</subfield><subfield code="b">3826723287</subfield><subfield code="c">00</subfield><subfield code="f">5:LIZFREI</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="h">KERF_JSTOR-OA</subfield><subfield code="y">k</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4011202134</subfield><subfield code="h">OLR-ZDB-39-JOA</subfield><subfield code="k">JSTOR Open Access EBooks</subfield><subfield code="y">zu</subfield><subfield code="z">01-12-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="b">3826767608</subfield><subfield code="h">olr-frei</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">30</subfield><subfield code="1">01</subfield><subfield code="x">0104</subfield><subfield code="b">382674036X</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">JSTOR Open Access E-Books</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="b">3826730739</subfield><subfield code="h">OLR-JSTOR-OA</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">39</subfield><subfield code="1">01</subfield><subfield code="x">0547</subfield><subfield code="b">3826748166</subfield><subfield code="h">ZDB-39-JOA</subfield><subfield code="y">ke</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">40</subfield><subfield code="1">01</subfield><subfield code="x">0007</subfield><subfield code="b">4098259605</subfield><subfield code="h">OLR-JSTOR-OA</subfield><subfield code="y">xsn</subfield><subfield code="z">23-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">60</subfield><subfield code="1">01</subfield><subfield code="x">0705</subfield><subfield code="b">4473795365</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="k">Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung</subfield><subfield code="y">z</subfield><subfield code="z">01-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">3826782151</subfield><subfield code="c">03</subfield><subfield code="f">--%%--</subfield><subfield code="d">ebook</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="h">OLR-ZDB-39-JOA</subfield><subfield code="k">JSTOR Open Access Book</subfield><subfield code="y">k3o</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">3826711432</subfield><subfield code="h">OLR-ZDB-39-JOA</subfield><subfield code="k">Kostenloser Zugang</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">3826755995</subfield><subfield code="h">OLR-HILjstor</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">4341477846</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">21-06-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">118</subfield><subfield code="1">01</subfield><subfield code="x">3329</subfield><subfield code="b">3826715187</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z1</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">4421999334</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">30-11-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">3826776283</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">Kostenloser Zugriff</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">3826785991</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">187</subfield><subfield code="1">01</subfield><subfield code="x">3520</subfield><subfield code="b">3826707680</subfield><subfield code="k">JSTOR Open Access eBook</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">283</subfield><subfield code="1">01</subfield><subfield code="x">3283</subfield><subfield code="b">3826719344</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">17-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">496</subfield><subfield code="1">01</subfield><subfield code="x">3496</subfield><subfield code="b">4323300077</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">Online</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="h">OLR-EBC</subfield><subfield code="k">Open Access</subfield><subfield code="y">z</subfield><subfield code="z">17-05-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="b">4509432801</subfield><subfield code="h">OLR-JOA</subfield><subfield code="k">Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">10-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2007</subfield><subfield code="1">01</subfield><subfield code="x">DE-352E</subfield><subfield code="b">4484095637</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">n</subfield><subfield code="j">--%%--</subfield><subfield code="k">Open Access</subfield><subfield code="y">l01</subfield><subfield code="z">14-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2009</subfield><subfield code="1">01</subfield><subfield code="x">DE-180</subfield><subfield code="b">3971415725</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="y">l01</subfield><subfield code="z">27-08-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="b">3816602673</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2018</subfield><subfield code="1">01</subfield><subfield code="x">DE-31</subfield><subfield code="b">3816602681</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Der Zugriff ist kostenfrei möglich.</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2034</subfield><subfield code="1">01</subfield><subfield code="x">DE-Rt2</subfield><subfield code="b">381660269X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">frei zugänglich</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2057</subfield><subfield code="1">01</subfield><subfield code="x">DE-L189</subfield><subfield code="b">3816631436</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2059</subfield><subfield code="1">01</subfield><subfield code="x">DE-Kon4</subfield><subfield code="b">3816602703</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook JSTOR</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Zugang über WWW</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2089</subfield><subfield code="1">01</subfield><subfield code="x">DE-540</subfield><subfield code="b">3816631444</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">p</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Open Access</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2111</subfield><subfield code="1">01</subfield><subfield code="x">DE-944</subfield><subfield code="b">3816602711</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">E-Book JSTOR</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2118</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mh35</subfield><subfield code="b">381660272X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook JSTOR</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2148</subfield><subfield code="1">01</subfield><subfield code="x">DE-950</subfield><subfield code="b">3816602738</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook JSTOR</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Open Access</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2161</subfield><subfield code="1">01</subfield><subfield code="x">DE-D117</subfield><subfield code="b">3816631460</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2206</subfield><subfield code="1">01</subfield><subfield code="x">DE-1141</subfield><subfield code="b">3816631479</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">03-12-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2403</subfield><subfield code="1">01</subfield><subfield code="x">DE-LFER</subfield><subfield code="b">3831457530</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">n</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">07-01-21</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield 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